Forward, Brazil

06/08/2007 0 By Rodrigo Cintra

& Quot; This beautiful Brazil and swarthy / & Eacute; my Brazilian Brazil / Land of samba and tambourine." In 1939, It was so Ary Barroso described the pa & iacute; s, inaugurating with his anthem exalts & ccedil; & atilde, the Brazilian watercolor the g & ecirc; vainglorious number that existed during the Estado Novo dictatorship. De l & aacute; para c & aacute; muita & aacute; gua j & aacute; rolou – n & atilde; the right of the & quot; murmuring fountains" Ary or & quot; waterfalls and subtle colorful cascades" Silas de Oliveira sang in watercolor Brazilian – and Brazil n & atilde; the & eacute; more that (just like any other corner of the world). But what & eacute;, So, the described & ccedil; & atilde; the pa & iacute; s today? & Eacute; forr options |, é hip hop, & Eacute; ax & eacute;, & Eacute; funk, & Eacute; the end of the road, s & atilde; the & the aacute; sea waters & ccedil; the closing & atilde see, the? None of this. Or all.

Ambassador funk, DJ Marlboro comes out in defense of freedom. & Quot; If I play Wagner with forr & oacute; today, It will sound strange. But if I play two, três, four times, j á I will have created something else, nova, different." DJ thinks & eacute; precisely the means to be Brazilian. "O Brasil é multicultural, & Eacute; The mixture v á r holiday MAKE-the, fusion & HAND the v á various cultures. And j á are so since colonizes & ccedil; & atilde, the, well before the internet, of globalization & ccedil; & atilde, the. It made us a sample of what the world be & aacute;, an avant-click & you haven re the planet in the future."

Marlboro likes to mix influ & ecirc; TRENDS, melting elements different universes, like ingredients electronics & FLYING; nicos and folklore (word today replaced & iacute; of the expression & atilde, the popular culture). & Quot; And the result of all this is replaced by an expensive pr & oacute; pria, an identity, such as funk, James Brown who fears Folia de Reis." Than Marlboro n & atilde; the like & eacute; & ecirc the resist; INSTANCE & aggravate; mixture. & Quot; Num debate, asked whether influ & ecirc; n & INSTANCE US HAND the hindered M & uacute; silica Brazilian, From Rio. I answered with another question: which & eacute; our R & iacute; ngua? & Eacute; Portuguese! Also came out & eacute; m. If the guy wants to ensure that a purism that n & atilde; there is the, You will have to beat drum & iacute; Indians in Xingu, h and even there á presence MAKE-n ancestral HANDS; s & HAND the Brazilian." DJ view, which also & eacute; m is concerned with issues such as preserving & ccedil; & atilde; the frevo and Folia de Reis, n & atilde, the hardly news. H á almost a s & eacute; culo, Oswald de Andrade propagated Antropofagia: motion proposing that Brazil devour foreign culture and create, from where j á I had and new influ & ecirc; TRENDS, a pre Culture & oacute; Pria. Researcher Rela & ccedil; & otilde; s International at UNB (University of Brasilia), Rodrigo Cintra also & eacute; m think in reinven MAKE-HANDS, the experi & ecirc; TRENDS. & Quot; If you & ecirc; is an Italian restaurant in S & atilde; Paul, & Eacute; something you & ecirc; n & atilde, the you will find in It á read. & Eacute; a remake of something that came from outside." The researcher has a recipe. & Quot; Just keep Awareness & ecirc; INSTANCE and value what you have because & eacute; good, and n & atilde; why n & atilde; the whether what comes out – which would be xenophobia. Like this, also & eacute; n & m atilde, the you run the risk of seeing undermined their identity." And what would this identity?

The teacher teaches that the national identity, unlike Patriotic & oacute identity; tica, & Eacute; Abstract: refers to v & iacute; nculo that is within an in MAKE-HANDS, the, the feeling of belonging. Like this, samba, the soccer, a mulatta (the & quot; swarthy" referred Ary Barroso) s & HAND the portion of the Gel & eacute; Ia called national identity. J á the flag, or hino, green and yellow colors, concrete elements, They relate to patriotism. And he explains that both are mixed, for example, in & eacute; era of Cup.

To get an id & eacute; was the power of national identity, just take a look at Am & eacute; rich South and see how in Brazil, t & HAND large, with region & otilde; es and people of T & atilde profiles, the different, predominated id & eacute; would unit, while the rest of Am & eacute; rich South, despite speaking the same R & iacute; ngua – the Spanish –, broke in many pa & iacute; ses. Cintra He explains that the presence & ccedil; the fam & iacute; lia real in Brazil was important for this uni & atilde, the around a common denominator: be Brazilian.

& Quot; National identity & eacute; the identity that I Forge. Mulata, samba and football, for example, taken as character & iacute; national sticas, s & HAND one stere & oacute; Rio type & quot;, says researcher, resembling that samba merely á restricted areas pa & iacute; s and mulatto correspond to only a portion of the population MAKE-HANDS, the. And football? Ah, It is, endorse the researcher, It became the largest Brazilian identity. & Quot; & Eacute; one experi & ecirc; INSTANCE very deep, h á one relationship & ccedil; & atilde; extremely passionate. Football n & atilde, would have nothing to do with Manaus, for example, where á areas Alagadi & ccedil; the n & atilde; the favor sports, but l á also & eacute; m & eacute it; worshiped & quot;, says Professor, what, Ironically, & Eacute; a Brazilian n & HAND binds to the m & iacute; Nima to soccer. What he & eacute; f & atilde; even & eacute; such the Brazilian way.

& Quot; We have to stop thinking that the knack & eacute; bad. It & eacute; Ghost á stico! & Eacute; an ability to adapt & ccedil; & atilde; and create the solution & ccedil; & otilde; es alternatives that Brazil has. Because of that, the Brazil & eacute; recognized internationally for his great negotiators, as (the UN special envoy to Iraq) S & eacute; rgio de Mello (1948-2003)." And it is á This also & eacute; m concept of & quot; human friendly & quot;, the author S & eacute; rgio Buarque de Holanda, explaining that the Brazilian n & atilde; the & eacute; T & atilde, the attached & aggravate; s rules, less guide the rational side and over the heart & ccedil; & atilde, the (the & iacute; the use of the word friendly, & Quot; relative or belonging to blush & ccedil; & atilde; the & quot;, according to the DICTIONARY & aacute; rio's distant cousin Aur & eacute; lesson).

Without attachment & aggravate; s rules (for good and for evil), hospitable, warm, The Brazilian opened the bra & ccedil the, to home, the mind and heart such ccedil &; & atilde; the for what comes out. & Quot; The Brazilian people & eacute; cooperative. & Eacute; one thing to offer to hold your purse in FLYING &; bus, help as bad, change the pr & oacute; prio way to teach an address & ccedil, to whomever asks informs & ccedil; & atilde, the. Faced with a foreigner, the area & ccedil; & atilde; the & eacute; & Lsquo; it has to be a n & oacute; s, You have to play football with us & rsquo; & quot;, says Cintra.

Ten non-New York Times: & Quot; Nobody & eacute; m perfectly knows why Orkut caught between Brazilian and n & atilde; it among Americans, despite the fact that it is a network where you enter only by invitation can be explained & ccedil; & atilde; for the explosion & atilde, the in Brazil. In 2005, in an interview with Folha de S.Paulo, Orkut Buyukkokten, the creator of the site, said this could be because Brazilians s & atilde; the & lsquo; a people amig á vel & rsquo;, and perhaps because some of his pr & oacute; prizes friends, that between the first joined & worse; network, They had Brazilian friends." So, in short, Brazilian would multicultural, a sample that anticipates be as á the world in the future, a people that reinvents the influ & ecirc; TRENDS suffering, one people who have a special way to work things out, one in & ccedil; & atilde, which puts the heart & ccedil; & atilde, the above rational side and, al & eacute; m it all, formed by people Friend á LEVELS? The answer n & atilde; the & eacute; t & HAND f á cyl.

O anthropologist options | logo Hermano Vianna, that interacts with as few pa & iacute; s, aired site Overmundo (overmundo.com.br), a project that breathes Brazil and national identity. The years of experience & ecirc; INSTANCE and study have made schooled on the theme of Brazilian identity, and he knows that runs great risk prepot & ecirc; INSTANCE, superficiality or m & iacute; nimo precipitates & ccedil; & atilde; the who dare to nail down quest atilde &; T & atilde, the complex. & Quot; The focus of Overmundo & eacute; the diversity of the culture produced in Brazil. We prefer to talk & lsquo; culture produced in Brazil & rsquo;, in place of Brazilian culture, for n & atilde; enter the intermin & aacute debate; level on the set & ccedil; & atilde; the who & eacute; Brazilian or n & atilde, the. We know that this set & ccedil; & atilde, the changes according to the region & atilde, the geographical á is, or social group ou a & eacute; little hist & oacute; rich."

Time to explain what collaborates & ccedil; & otilde; s could be sent to the Overmundo, Hermano wrote informative response: & Quot; Of course we can talk about punk sung in English and & ecirc; s or haiku written in JAPANESE s since they were created in Brazil. But even with this set & ccedil; & atilde; the open, the Overmundo n & atilde; the & eacute; the proper place for you & ecirc; publish a text about & uacute; last book of Harry Porter, n & atilde; being that talks about how the book & eacute; Received in Brazil, or & eacute; read by CHILD Brazilian. Another example: if you & ecirc; want to publish a cr & iacute; tica about & uacute; last disc White Stripes, Please look for another site (h á many who v & atilde, the be happy to receive your contribution & ccedil; & atilde, the); but if the text is one cr & FLYING; single on the passage of the White Stripes in Manaus, with reflex & otilde; es on the indie rock scene in Amaz & FLYING; nia, yes it has the face of Overmundo & quot;.

Source: http://www.revistaoi.com.br/nova/cobertura_23.asp